Genre cinema lends itself to fruitful experimentation and Vourdalak is a prime example, offering ample opportunities for it along with dark, profound chills and a delightful Gothic atmosphere. A father returns from the war to his children (now as a vourdalak), dead yet alive, while simultaneously, an envoy of the King of France arrives at their secluded forest home. Profoundly atmospheric and endlessly unsettling, The Vourdalak is a genuinely unique horror film plunges into the origins of cinema to give birth to something drastically new. Shot in 16mm, with the father-vourdalak as a menacing, foreboding marionette and Ariane Labed embodying an eerily beautiful and enigmatic daughter, the film is as paradoxical as it is magnetic. A debut that reveals the tremendous talent of a filmmaker (with a background in the arts and production design), capable of crafting a world filled with shadows, nuances, and depth using the simplest yet unexpected materials.

待业中的面包师杰若米返乡，在参加他曾迷恋的恩师葬礼后，决定留宿师母家中多陪伴她几日。他仿佛有种魔性魅力，让全镇居民都着迷不已，只有恩师儿子文森对他充满敌意。一场口角后，文森意外死亡，为了掩盖真相，杰若米开始编织一个个谎言；令人惊讶的是，整个小镇从邻居到神父，似乎都在帮他隐瞒真相。杰若米发现自己被困在一座由谎言筑起的迷宫中，无法脱身⋯⋯

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