法国电影大师弗朗索瓦·欧容的喜剧作品，亦是其“女性三部曲”（《八美图》《花瓶》）的最后一部，改编自法国剧作家乔治·贝尔和路易·韦纳伊的同名戏剧。故事背景置于上世纪三十年代，贫穷演员玛德琳被指控谋杀，在...
“Maria” 重新塑造了《巴黎最后的探戈》女主角玛丽亚·施奈德的演艺生涯和悲剧人生。《正发生》中的新星安娜玛丽亚·瓦托洛梅饰演施奈德，而马特·狄龙则饰演与她搭档的马龙·白兰度。本片在一定程度上追踪了贝纳尔多·贝托鲁奇1972年杰作的争议性制作和痛苦后果——这一里程碑式的作品使施奈德一夜成名的同时将她锁定在一个她永远无法逃脱的形象中。这部电影也与贝托鲁奇相呼应，导演帕吕的职业生涯是在《戏梦巴黎》的片场开始的。
Set in Melbourne, Australia during the early days of the COVID-19 pandemic, Kristal (Kate Mayhew) is enjoying the last few days of her trip to Australia when she meets Lisette (Stevie McKeon) on a night out in the city. The pair are saying farewell after a one-night stand, when news of Melbourne's border closure reaches them - unable to return to Canada Kristal accepts Lisette's invitation to stay with her during the citywide lock-down. Can these two perfect strangest survive a month together or will their differences drive them apart?
沈青怀着孕，压力很大。 她照顾着意外怀孕的学生和患有脑瘫的叔叔，后者有被赶出疗养院的危险。 成本不断增加，时间紧迫，但她和丈夫勉强承受。 当她收到自己的孩子有70%的几率先天残疾的消息时，她的婚姻陷入危机，沈青和她的丈夫为残疾胎儿的命运争论不休，而这个未出生的灵魂却同情地观察着一切。 周洲导演凭借池韵的强势主演和脑瘫患者的参与，讲述了一个女人在一个对残疾人抱有偏见的世界里遵循自己道德的悲痛故事。 ——贾森·马赫（摘自大阪亚洲电影节官网） Qing Chen is carrying a child and a lot of pressure. She is looking after a student who has had an unplanned pregnancy and an uncle with cerebral palsy who is at risk of being kicked out of a nursing home. Costs are mounting and time is short but she and her husband are getting by, just about. When she receives news that her baby has a 70% chance of being born disabled, it ignites a crisis in her marriage as Qing Chen and her husband argue over the fate of their unborn baby who is observing everything sympathetically.With a powerful leading performance by Chi Yun and the participation of people with cerebral palsy, director ZHOU Zhou gives a harrowing look at a woman following her own morality in a world where some hold prejudice against the disabled. [Jason MAHER]
摄影师万叶从法国回到阔别多年故乡，昔日恋人阿胜与闺蜜阿北已组建了一个幸福的家庭，万叶的到来，让三个人的生活和情感都逐渐微妙了起来。与此同时，万叶偶遇想要前往法国寻梦小镇姑娘小虎，在一座叫“海豚屿”的小岛上，两人开启了一段新的旅程。
Eyüp works relentlessly under the blazing sun during a tomato harvest in southeastern Turkey, driven by the urgent need to settle an impending debt. After a clash with his supervisor, he roams the city in search of a radical solution.
Repression and taboos have shaped the image of womanhood for Ana (68), Patricia (69) and Mayela (71). Their stories poetically combine to form a kaleidoscope of memories, secrets and longings that are incarnated by another woman’s body.
马里安是一位年过四十的女医生，对长期稳定的关系没有兴趣。当她的同事托尔告诉她与男性的随意性行为既能带来满足感又不会承担任何承诺时，她意识到这正是她想要的。
